It's not easy to understand exactly what this compilation is. First off, know that it's the debut release from newly formed label Pippola Music, the brainchild of veteran Paolo Favati, one of the people who helped give birth to the very concept of Italian indie music. Yes, this compilation is unusual, but let's not overdo it. What's certainly unusual is the presentation: two pages of the booklet crammed with visions that remain incomprehensible even after a sixth read. What we can gather is that the project was promoted by Gianni Maroccolo, formerly a member of Litfiba, Cccp, Csi and later Pgr. Across all these bands, Gianni has always been something of a restless explorer, and to this day, with mixed results, he keeps on searching—which is already a merit in itself. In this specific case, the aim is to spotlight a handful of new Italian/Tuscan names seduced by the magic world of electronics, and above all by sounds we might call "different" or "other".
Clearly, as with all projects of this kind, some fare better than others. Some tracks shine with their own light, while others still rely a bit too heavily on the light sources they're reflecting.
Listening to tracks like "Linea di Venere" by Cpt. Nice, you realize just how fundamental Scisma were to the evolution of technological pop in Italy. Another telling example is "Piove piano" by Blume. Though somewhat unjustly forgotten today, Mara Redighieri of Üstmamò was the voice that most influenced the new generation of female singers (certainly not the likes of the Anna Tatangelos still infesting the boot-shaped peninsula).
Then there are, as we mentioned, some very pleasant surprises and displays of uncommon inventiveness. That's especially true of "Nouvelle Cuisine" by A.M. Boys, a track that's strikingly Kraftwerk-esque, and not just musically: it's an excellent update/reproduction of the defining traits of the "boys" from Düsseldorf, right down to its retro-futurist sound. The lyrics offer the typical Hütter-Schneider-style collage of images, but applied to cuisine rather than visions of the future. It's an amusing reclaiming of Italian identity, more concerned with the stomach than with technology, complete with a globalist flourish that widens Kraftwerk's European outlook (the vocoder intones: "London, Paris, Berlin, Tokyo, Nouvelle Cuisine"). Great, really great: the best song of the bunch.
Also very welcome is "Electronic dancer" (again by Cpt. Nice), which revives the theory that Pac-Man was a prophet of nightclub alienation: repetitive electronic music and a dark room where pills are swallowed one after another to escape one's own ghosts. The musical backdrop follows suit, mimicking the low-bit sound of the video game.
The tracks by the compilation's own promoters are average.
The ending also surprises, with a remix of the Morricone classic "Indagine su un cittadino al di sopra di ogni sospetto", worked on by everyone involved, which reprises the famous theme while drowning it in electronic effects and detours.
The rest, unfortunately, is pleasant enough on average but struggles to make a real impact, though Pt-r's electronics at least deserve a mention. A decent starting point for everyone involved, in any case: it's only natural that there's still a long way to go.
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30/04/2026
This article is an English translation of the original Italian text by Nicola Minucci, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.