Sanremo 2026: hits and misses two weeks after the Festival's close. The songs in the streaming and radio charts

Two weeks after the close of the 76th edition of the Sanremo Festival, the Italian streaming landscape is starting to settle down. Songs that passed through the Ariston stage continue to dominate the platforms, but their weight in the Top 20 is slowly beginning to shrink. In week 11 of 2026, Sanremo titles in the Spotify + YouTube dynamic chart, as cited in a study by All Music Italy, drop to 17 out of 20 - two fewer than the previous week. A sign of an initial rebalancing after the listening peak that immediately followed the Festival.

The top of the chart, however, remains unchanged. Still leading the pack is “Ossessione” by Samurai Jay, holding a clear lead over its pursuers. Behind it, nothing has changed: “Tu mi piaci tanto” by Sayf stays in second place, followed by “Per sempre sì” from Festival winner Sal Da Vinci and “Che fastidio!” by Ditonellapiaga. A completely stable Top 4 that captures a phase of consolidation in listening habits.

The most noticeable shifts are happening in the middle of the chart. TonyPitony re-enters the Top 10 with “DONNE RICCHE – Acoustic Version”, while Achille Lauro climbs back several spots with “AMOR”. Also on the rise is “2 GIORNI DI FILA” by Geolier, Sfera Ebbasta and ANNA, who is gaining ground in the lower half of the Top 20. Among the more interesting signals is the definitive entry of “Avvoltoi” by Eddie Brock, which after several weeks of climbing has finally broken into the twenty most-streamed tracks.

The only new entry of the week is “Amelie” by Kid Yugi, taken from the album “Anche gli eroi muoiono”, which debuts straight in at number 17.

Meanwhile, the first signs of the streaming market normalizing are emerging: some titles launched at Sanremo are starting to lose momentum and are sliding out of the Top 20. That's the case with “Qui con me” by Serena Brancale, “Ti penso sempre” by Chiello and “AI AI” by Dargen D’Amico.

Top of the week

The most striking case remains that of Samurai Jay. “Ossessione” continues to lead the streaming chart despite having finished only seventeenth in the Sanremo competition itself. A result that once again highlights the gap between the Festival's TV rankings and the dynamics of digital platforms.

Flop of the week

Among the songs to come out of Sanremo, the one struggling hardest to find room on streaming is “Opera” by Patty Pravo. The track remains far from the top positions of the chart and stays outside the Top 20, confirming a significant gap between TV visibility and the response from audiences on streaming platforms.

Here is the Spotify + YouTube chart – week 11/2026, compiled by All Music:

1. Ossessione – Samurai Jay =

2. Tu mi piaci tanto – Sayf =

3. Per sempre sì – Sal Da Vinci =

4. Che fastidio! – Ditonellapiaga =

5. Poesie clandestine – LDA & Aka 7even ↑ (1)

6. Stupida sfortuna – Fulminacci ↑ (2)

7. Labirinto – Luchè =

8. Male necessario – Fedez & Marco Masini ↓ (3)

9. Italy Starter Pack – J-Ax ↑ (2)

10. DONNE RICCHE – Acoustic Version – TonyPitony ↑ (6)

11. Uomo che cade – Tredici Pietro ↑ (2)

12. Prima che – Nayt ↓ (3)

13. I romantici – Tommaso Paradiso ↓ (1)

14. Resta con me – Bambole di pezza =

15. Magica favola – Arisa ↓ (5)

16. AMOR – Achille Lauro ↑ (9)

17. Amelie – Kid Yugi 🌟

18. Voilà – Elettra Lamborghini ↓ (1)

19. Avvoltoi – Eddie Brock ↑ (2)

20. 2 GIORNI DI FILA – Geolier, Sfera Ebbasta & ANNA ↑ (7)

Legend: = stable / ↑ climbing / ↓ falling / 🌟 new entry

On the horizon for the coming weeks, further shake-ups could be in store. Two highly anticipated releases are expected: “Summer song” by Annalisa and “Disenchantment”, the single that marks the return of Madame after three years of recording silence. It will be an early test to see whether the dominance of Sanremo songs on streaming is set to continue, or whether the market will quickly diversify again.

Radio airplay

Two weeks after the end of Sanremo 2026, “Che fastidio!” by Ditonellapiaga remains the most-played track on Italian radio according to EarOne. The Roman singer still tops the chart with 376,860 points and 5,752 spins, nearly double the previous week's tally. This strong radio dominance, however, comes alongside a slight dip in Spotify streams: the track has passed 10 million plays but has dropped off the podium. Meanwhile, the artist's monthly listeners have grown sharply, rising from 289,000 to 3.34 million.

Behind her, Sayf and Tommaso Paradiso are climbing. Sayf, with “Tu mi piaci tanto”, jumps from fifth to second place thanks to 314,193 points and 4,717 spins, also posting excellent streaming numbers, ranking second with 12.9 million plays on Spotify. Paradiso sits in third with “I romantici”, a track that stands out above all for its radio efficiency: 71.83 points per spin, the highest value among the Festival's songs.

The Festival winner, Sal Da Vinci, gains ground, moving from sixth to fourth place with 289,022 points. His track, however, continues to show a mismatch between spins and score: with 5,007 rotations it's the second most-played song after Ditonellapiaga, yet it remains off the podium. Conversely, Samurai Jay dominates on Spotify with 16.7 million streams but sits at only seventh place on the radio chart.

Among the other data, Arisa presents the opposite case: “Magica favola” gets heavy rotation but delivers poor returns in terms of score (41.33 points per spin), a factor contributing to its slide down to eighteenth place in the overall chart.

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