The absence of the "Best Rock" category from the 2026 MTV Video Music Awards nominations is a small historic event: it hasn't happened since 2007. More than a mere tweak to the awards' structure, the choice captures the current balance of power in the mainstream music industry, now dominated ever more clearly by pop. Madonna's 11 nominations, alongside the heavy presence of Taylor Swift, Ariana Grande and Sabrina Carpenter, say a great deal about where the industry's center of gravity now lies. For anyone who lived through the era when MTV and rock culture seemed almost inseparable, though, the category's disappearance inevitably carries symbolic weight.
The award's own history, after all, traces the arc of rock within American popular culture. The category was born in 1989 as "Best Heavy Metal Video" and was won for the first time by Guns N' Roses, at a time when guitars, hard rock and metal held a firm grip on the center of the television landscape. In the years that followed, MTV would also become one of the main vehicles for the grunge and alternative-rock explosion: just think of Pearl Jam, who managed to break through even in the flagship "Video Of The Year" category, at a time when alternative rock was anything but a niche and competed directly with pop's biggest stars.
Topping the category's honor roll are Aerosmith, four-time winners: alongside the three hits already mentioned, the band also triumphed in 1991 with "The Other Side". Right behind them, with three wins apiece, come Coldplay and Linkin Park, while Metallica, Green Day, Limp Bizkit, Thirty Seconds To Mars and Twenty One Pilots have each claimed the award twice. The case of Foo Fighters is a curious one: despite racking up 10 nominations, the band has only managed to win once, in 2011, with "Walk".
As the years went by, however, the award's boundaries gradually widened. After absorbing nu metal and the various mutations of rock through the Nineties and 2000s, the category ended up embracing forms increasingly close to stadium-sized pop-rock, represented by acts such as Coldplay and Imagine Dragons. This shift mirrored what was happening on the charts: as rock steadily lost the commercial centrality it had held in previous decades, it became harder and harder to pin it down within a single, precise category.
In 2026, "Best Alternative" survives, but even that definition now looks extremely elastic. The fact that a band like Geese and a pop star like Olivia Rodrigo can coexist among the nominees shows just how far the word "alternative" has drifted from its original meaning. Rock, once the dominant and easily recognizable language, has increasingly become just one of the possible ingredients of contemporary pop: a sound, an attitude, or an aesthetic to be deployed alongside indie, folk, electronic and, of course, pop elements.
The scrapping of "Best Rock" doesn't mean rock is dead, then; what seems to have broken down, at least for now, is rather its privileged relationship with the audiovisual mainstream that MTV embodied for decades. Nor is this the first time it's happened: the award's absence in 2007 is a reminder that the MTV VMA categories can shift along with trends and editorial strategy. But nearly twenty years on, the meaning feels different. What's missing today, above all, is a new rock movement capable of breaking through simultaneously on the charts, in the imagination of younger generations, and through visual language powerful enough to compete with that of the biggest pop stars. The question, then, isn't so much whether rock still exists, but what role it can play in the mainstream of the 2020s.
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This article is an English translation of the original Italian text by OndaRock Staff, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.