DAVID BOWIE - Divine Symmetry

2022 (Parlophone)
glam-rock, psych-folk

“Divine Symmetry” è un ricco box set che documenta il 1971 di David Bowie, allora ventiquattrenne, e il processo compositivo che condusse alla realizzazione del suo quarto album, “Hunky Dory”, il primo dopo la firma del contratto che lo legò alla Rca. Ritornato da un illuminante viaggio negli States, durante il quale si procurò l’opportunità di conoscere Lou Reed e Andy Warhol (entrambi omaggiati, insieme a Bob Dylan, nel lato B di “Hunky Dory”), Bowie decise di dare un taglio netto alla lunga capigliatura bionda e lasciare gradualmente da parte il lato della sua personalità più legato allo psych-folk di radice hippie, iniziando a tratteggiare i contorni di quello che sarebbe diventato uno dei suoi alter ego più celebri, Ziggy Stardust.

David si sforza di scavalcare lo scoglio della timidezza, ancor più amplificata quando si trova su un palco: proteggersi dietro una maschera pensa possa dargli maggiore coraggio e sfrontatezza. Il disco precedente, “The Man Who Sold The World” non fu certo un grande successo, rivalutato soltanto a posteriori, e rivitalizzato negli anni Novanta grazie all’intervento dei Nirvana, ma questa è un’altra storia. Bowie al tempo era ancora imprigionato fra Dylan e i Velvet Underground (dal vivo eseguiva spesso “I’m Waiting For The Man”), e aveva ancora incertezze su quale strada fosse la meno impervia per raggiungere quel successo che era intenzionato ad agguantare ad ogni costo.

 

“Divine Symmetry” contiene 4 cd (la versione in vinile sarà disponibile dal prossimo febbraio), un Blu-ray e due book ricchi di memorabilia dell’epoca, fra cui appunti personali dell’artista, ipotesi per titoli e bozzetti per vestiti di scena. Non tutto il materiale si può ritenere indispensabile, e non tutte le registrazioni sono di qualità eccellente, ma riascoltare i demo acustici di brani che sarebbero poi entrati nella storia della musica del Ventesimo secolo è una bella esperienza, e lo è ancor di più imbattersi in frammenti che sarebbero stati ripresi in seguito: “Tired Of My Life” (non a  caso qui posta a inizio selezione) la ritroveremo qualche anno più tardi sotto forma di “It’s No Game” ad aprire uno dei suoi lavori più belli di sempre, “Scary Monsters”, “King Of The City” contiene un vago embrione di “Ashes To Ashes” e finirà nello stesso album del 1980, “Looking For A Friend” e “Shadow Man” saranno ri-registrate per “The Rise And Fall Of Ziggy Stardust” restando però fuori dalla tracklist definitiva, “Amsterdam” è una cover di Jacques Brel che avrebbe dovuto far pare di “Hunky Dory”, esclusa solo all’ultimo momento.

Il box riempie un pezzettino del vuoto lasciato dall’assenza, e lo fa non solo proponendo versioni alternative (ma fedeli a quelle ben note a tutti) e parecchie tracce finora inedite, ma anche includendo il resoconto di tre esibizioni del periodo: una John Peel Session, alcuni estratti dal programma radiofonico Sounds Of The 70’s, e soprattutto il concerto tenuto il 25 settembre 1971 ad Aylesbury, che vede un Bowie particolarmente loquace fra un brano e l’altro.

La backing band con la quale furono eseguite le session di “Hunky Dory” era composta dai tre “Spiders From Mars” Mick Ronson, Trevor Bolder e Mick Woodmansey, più l’autorevole Rick Wakeman che, compresso fra l’esperienza negli Strawbs e i futuri clamori con gli Yes, tornava a fianco di Bowie dopo la collaborazione risalente ai tempi di “Space Oddity”.

David in quei mesi analizza, filtra, ascolta e scrive moltissimo; la direzione è ancora incerta ma sta per trovare quella migliore da percorrere, azzeccando scelte sia musicali che estetiche, proponendosi in maniera provocatoria ma mai anti-commerciale, alla ricerca di un’identità che non sarà mai definitiva, bensì in costante evoluzione.

 

Nonostante contenesse canzoni oggi considerate immortali, come “Changes” (vera e propria dichiarazione d’intenti circa i mutamenti in atto) e “Life On Mars?” (che confermava una passione per le tematiche extraterrestri), “Hunky Dory” non riscosse inizialmente particolare successo: raggiunse il terzo posto nelle chart inglesi un anno e mezzo più tardi, soltanto dopo i riscontri ottenuti dal successivo “The Rise And Fall Of Ziggy Stardust And The Spiders Form Mars”. Quando David Bowie riuscì finalmente a cucirsi in dosso il ruolo di nuova brillante (rock)star nel firmamento musicale degli anni Settanta.

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14/01/2023

This article is an English translation of the original Italian text by Claudio Lancia, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.

Read the original in Italian · About the English edition

Tracklist

  1. Disc 1 - demo & home recordings
  2. 1. Tired Of My Life – demo
  3. 2. How Lucky You Are (aka Miss Peculiar) – demo
  4. 3. Shadow Man – demo
  5. 4. Looking For A Friend – demo
  6. 5. Waiting For The Man – San Francisco hotel recording
  7. 6. Quicksand – San Francisco hotel recording
  8. 7. King Of The City – dcmo
  9. 8. Song For Bob Dylan – demo
  10. 9. Right On Mother – demo
  11. 10. Quicksand – demo, 2022 remaster
  12. 11. Queen Bitch – demo
  13. 12. Kooks – demo
  14. 13. Amsterdam – demo
  15. 14. Life On Mars? – demo
  16. 15. Changes – demo
  17. 16. Bombers – demo
  18. Disc 2 - In Concert: John Peel
  19. 1. Queen Bitch – mono
  20. 2. Bombers – mono
  21. 3. The Supermen – mono
  22. 4. Looking For A Friend – mono
  23. 5. Almost Grown – mono
  24. 6. Kooks – mono
  25. 7. Song For Bob Dylan – mono
  26. 8. Andy Warhol – mono
  27. 9. It Ain’t Easy – mono
  28. 10. Queen Bitch – stereo
  29. 11. The Supermen – stereo
  30. 12. Looking For A Friend – stereo
  31. 13. Kooks – stereo
  32. 14. Song For Bob Dylan – stereo
  33. 15. Andy Warhol – stereo
  34. 16. It Ain’t Easy - stereo
  35. Disc 3 - Sounds Of The 70’s: Bob Harris
  36. 1. The Supermen
  37. 2. Oh! You Pretty Things
  38. 3. Eight Line Poem
  39. 4. Kooks
  40. 5. Fill Your Heart
  41. 6. Amsterdam
  42. 7. Andy Warhol
  43. Disc 3 – Live Friars, Aylesbury, 25th September 1971
  44. 1. Introduction
  45. 2. Fill Your Heart
  46. 3. Buzz The Fuzz
  47. 4. Space Oddity
  48. 5. Amsterdam
  49. 6. The Superman
  50. 7. Oh! You Pretty Things
  51. 8. Eight Line Poem
  52. 9. Changes
  53. 10. Song For Bob Dylan
  54. 11. Andy Warhol
  55. 12. Looking For A Friend
  56. 13. Round And Round
  57. 14. Waiting For The Man
  58. Disc 4 – Remasters & Alternative Mixes
  59. 1. Oh! You Pretty Things – bowpromo mix, 2022 remaster
  60. 2. Eight Line Poem - bowpromo mix, 2022 remaster
  61. 3. Kooks - bowpromo mix, 2022 remaster
  62. 4. Queen Bitch - bowpromo mix, 2022 remaster
  63. 5. Quicksand - bowpromo mix, 2022 remaster
  64. 6. Bombers - bowpromo mix, 2022 remaster
  65. 7. Lightning Frightening - aka The Man
  66. 8. Amsterdam – early mix, 2022 remaster
  67. 9. Changes – mono single version, 2022 remaster
  68. 10. Andy Warhol – full length mono single version, 2022 remaster
  69. 11. Amsterdam – 2015 remaster
  70. 12. Life On Mars? – 2016 mix
  71. 13. Changes – 2021 alternative mix
  72. 14. Life On Mars? – original ending version
  73. 15. Quicksand – 2021 mix, early version
  74. 16. Fill Your Heart – 2021 alternative mix
  75. 17. Bombers – 2021 alternative mix
  76. 18. Song For Bob Dylan - 2021 alternative mix
  77. 19. The Bewlay Brothers - 2021 alternative mix

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