If it was likely "Sunday Bloody Sunday" that saved U2 from an early breakup, as the Irish band recounted some time ago, there are many other songs that have helped "save the life" of the Dublin band's frontman, Bono. Sixty, to be exact. The U2 leader has gathered them into a playlist titled "60 Songs That Saved My Life", a selection of tracks that, as he himself explained, represent the soundtrack of his existence. "These are some of the songs that saved my life, the ones I couldn't have lived without," he wrote when presenting the project on the band's social media channels.
Bono revealed he had written a thank-you letter to each of the artists featured in the collection. "I'm writing a fan letter to go with every song, trying to explain my attraction to it," he explained during a podcast interview. Opening the playlist is "Miserere", in the live version performed by Luciano Pavarotti, Bono and Zucchero. In the letter addressed to Alice Pavarotti, the famous tenor's daughter, the singer recalled the emotion of that track: "I can hardly remember what it was about, beyond forgiveness. And a toast to being alive."
Among the chosen tracks is also "Everything I Wanted" by Billie Eilish. Addressing the Californian singer and her brother Finneas, Bono wrote: "I step into your song and it's a black beauty, terribly vulnerable and terrifying, fearsome and worrying. But you're not worried by any of this."
The collection also makes room for David Bowie, represented by "Life On Mars?", Kraftwerk with "Neon Lights", Massive Attack, Nile Rodgers (Chic) and many other artists who shaped the U2 leader's personal and musical journey. Speaking of Kraftwerk and the late Florian Schneider, Bono recalled the impact of the album "The Man-Machine": "It stole my heart and my mind." Of "Neon Lights" he added: "It's a song that gave birth to a future that has now become so familiar. It's easy to forget how strange it once was."
Here is the complete "60 Songs That Saved My Life" playlist:
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26/06/2026
This article is an English translation of the original Italian text by Claudio Fabretti, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.