Steven Wilson is one of the most authoritative figures in contemporary rock, not only for his artistic path as a solo artist and with Porcupine Tree, but also for his work as producer and sonic restorer, which has given renewed centrality and depth to numerous classics through remixes and immersive-audio reworkings, not least the historic “Live At Pompeii” by Pink Floyd. On top of this, he has taken on an increasingly prominent role as a music commentator, able to connect past and present with expertise and unconventional curiosity. For these reasons, any listening list he puts together holds a particular interest.
Steven Wilson's “20 records of 2025” are not, in fact, all released in 2025. The criterion isn't chronological but experiential: these are records he listened to intensely over the course of the year, strictly in physical format, while most of the public was busy sharing algorithm-generated statistics and playlists. The range of listening is broad and wide-ranging: it goes from Tom Waits to Jeff Buckley, from Neil Young to the recent solo debut by Cameron Winter of Geese.
Wilson introduces his selection like this: “These days a lot of people are posting their Spotify Wrapped 2025 stats and artists are thanking listeners for streaming their music, so I'd like to take a moment to thank everyone who this year actually bought a physical copy of any of my records. In fact, a huge thumbs up to anyone who bought a physical copy of anyone's record this year, helping keep the art of the album alive. I'm not so naive as to think that streaming isn't, by a wide margin, the dominant platform for listening to music in the 21st century, but I also believe that the relationship between a listener and a physical piece of art is still something magical and special, one that will never be replaced by ones and zeros streamed in from a server. So here is the Steven Wrapped: 20 physical releases I listened to a lot this year (mostly things released or reissued in 2025, but not only).”
Below is the full list of the twenty records mentioned by Steven Wilson:
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This article is an English translation of the original Italian text by OndaRock Staff, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.