Bad Bunny: the possible setlist for the Milan concert and everything you need to know about the summer's colossal show in front of nearly 160,000 fans

by OndaRock Staff

15-07-2026

Bad Bunny arrives in Milan for one of the most imposing music events of the Italian summer. On Friday 17 and Saturday 18 July, the Ippodromo La Maura will host a combined total of 157,000 spectators, around 78,500 for each of the two nights, both sold out for weeks. Numbers never before reached in Italy by a Spanish-language artist, and figures that tell the story of Benito Antonio Martínez Ocasio's transformation from a leading figure of the Puerto Rican urban scene into a global superstar.
His previous Italian show dates back to 2019, but since then the scale of the artist has changed radically. Bad Bunny has conquered international charts without giving up his own language or his roots: no crossover into English or Spanglish, just music produced entirely in Spanish, yet able to break through the traditional boundaries of the Latin market.

A worldwide bestseller

As early as 2020, “El Último Tour Del Mundo” had already become the first all-Spanish-language album to top the Billboard 200. With “Debí Tirar Más Fotos“, released in 2025 and a chart-topper in Italy too, Bad Bunny has broadened his musical language even further, blending reggaeton and trap with salsa, música jíbara and Puerto Rican popular tradition. It's precisely this latest album that forms the narrative core of the new show. The “Debí Tirar Más Fotos World Tour”, which kicked off on 21 November in Santo Domingo, comprises 57 concerts and has already sold more than 2.5 million tickets. Rather than a simple tour built around the hits, the show presents itself as a long celebration of Puerto Rico, its music and its identity, also tackling themes such as emigration, gentrification and the risk of collective memory being erased.
On stage, this approach takes shape through a show lasting close to three hours, structured in multiple sections and constantly shifting mood. The most explosive, perreo-driven moments alternate with nostalgic passages, live arrangements and more narrative interludes. The presence of a live band, complete with horns, percussion and nods to salsa, sets the concert apart from the model followed by many contemporary urban shows, which rely almost exclusively on prerecorded tracks.

La Casita: symbol and controversy

The visual symbol of the entire project is “La Casita”, a reproduction of a typical Puerto Rican house placed in the middle of the crowd. With its roof turned into a second stage, its patio and pink plaster walls, the structure is meant to evoke a neighborhood block party and give the audience a familiar image of life on the island. Over the course of the tour, however, “La Casita” has also become the subject of controversy. Access to the structure has often been reserved for celebrities, influencers and selected guests, while only a handful of ordinary spectators have been allowed inside. Critics argue that this kind of management risks turning a symbol of popular culture and resistance to gentrification into an exclusive area reserved for the privileged few.
Added to the debate over guest selection is the story of the actual house said to have inspired the set design. The owner of the property, a man in his eighties living in Humacao, claims he only authorized its use for the filming of a video, and has objected to its subsequent reproduction within the tour, as well as to the influx of fans showing up outside his home.
These contradictions, however, do not erase the show's cultural significance. Bad Bunny has built much of his public identity by challenging certain stereotypes of trap and reggaeton, addressing domestic violence, discrimination, LGBTQ+ rights and gender-based violence. Even his Super Bowl halftime show performance turned Puerto Rican symbols and sounds into a message against racism and US immigration policy.

The setlist for the Milan concerts

In Milan, then, audiences will witness something far more complex than a standard greatest-hits set. The repertoire will span the latest record along with the various phases of his career, with tracks including “Tití Me Preguntó”, “Yo Perreo Sola”, “Safaera”, “Dákiti”, “Yonaguni”, “Monaco”, “Callaíta” and “Ojitos Lindos”. Previous European dates have featured guests and variations in the set, leaving the door open for surprises during the two Italian shows as well.
Based on the setlists played during the tour so far, here is a possible running order for Bad Bunny's Milan concert:

La Mudanza
Callaíta
Pitorro De Coco
Weltita
Turista
Baile Inolvidable
Nuevayol
La Casita
Veldá
Tití Me Preguntó
Neverita
Voy A Llevarte Pa’ PR
Si Veo A Tu Mamá
Me Porto Bonito
No Me Conoce
Bichiyal
Yo Perreo Sola
Efecto
Safaera
Diles
Monaco
Teléfono Nuevo
Caile
Side Bitch
ETA – RMX
No Te Quieren Conmigo
Café Con Ron
Ábreme Paso
Ojitos Lindos
La Canción
Kloufrens
Dákiti
Yonaguni
El Apagón
DtMF
EoO