Bluvertigo are getting back together. The band has officially announced the reunion and their live return with the original lineup, with a single show set for April 14th at the Alcatraz in Milan. Tickets go on presale today at 12pm.
The band's comeback is not being presented as a nostalgia trip, but as the start of a new phase. According to the press release, Bluvertigo intend to put back into circulation an imagery that, over time, has anticipated languages and influenced generations, reaffirming a vision that remains relevant today. This approach is also summed up by the concert poster, built on pixels, geometric shapes and stylised representations of noise: a mechanical aesthetic run through with the idea of humanity, where identity resists patterns and codes, and the heartbeat, reduced to an intermittent signal, keeps shining through beyond the system. A statement of intent made explicit by the slogan: "We're not content creators. We are signal disturbers".
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In 2021, Morgan announced a new album from the band, with the other members confirming the news. That September they took the stage at the Arena di Verona for a tribute concert to Franco Battiato, and in 2022 they played a handful of live shows. But the band's reunion soon fell apart along with the album. Andy himself confirmed in 2023 that relations within the band had ended.
Bluvertigo's return - a statement from the band explains - doesn't look to the past as an archive to be consulted, but as a living foundation to build on. The band's reunion, which debuted in 1994 with Morgan (bass and vocals), Andy (keyboards), Marco Pancaldi (guitars) and Sergio Carnevale (drums), brings back to the stage a sound that, years later, still feels current and strikingly close to the present. It's a natural realignment with a music scene that today shares many of the ideas the Lombard band had already explored back then, an energy that has never stopped vibrating.
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This article is an English translation of the original Italian text by OndaRock Staff, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.