Eblis Alvarez, already a member of the Meridian Brothers (guitar), Mario Galeano from Frente Cumbiero (bass) and the diabolical Pedro Ojeda of Romperayo (drums) give fresh momentum to their personal blend of psychedelia and cumbia on the most accomplished chapter of their career under the name Los Pirañas. "Una oportunidad más de triunfar en la vida" is a triumph right from its artwork, as simple as it is effective in capturing the three musicians' forward-looking gaze.
The choice to replicate their live-performance technique - loops weaving the guitar through a laptop, with bass and drums acting as an organic thickener - fully conveys the one-off allure of their live shows, revealing more nuances and influences than one might expect. With a rhythmic layering that taps into both the brightness of Afro-Colombian music and the festive sounds of Jamaican rhythms, Los Pirañas bring together a broad melodic and rhythmic spectrum in which Afro-Nigerian influences and soul, jazz, rock and funk contaminations find their outlet.
Driven by that punk and heavy metal spirit that branded their earliest musical experiences, but also drawn to traditional Colombian music, tropicalismo, free jazz and surf, the three musicians tap into math-rock - "El nuevo Prometeo", "Educados por Condorito (y Don Ramón)" - and post-rock ("Despectiva caridad") with tones and rhythms that are as obsessive as they are fluid ("Pateando culos"). The disorienting effect gradually gives way to a sense of wonder, further enriched and reinforced by the more refined textures of "Bájenle a la matrícula" (with delightful gamelan sounds) and the more reflective, sensual moods of "Los pendencieros del latin".
Los Pirañas' music isn't exactly conventional, but it's precisely these skillful forays into other people's sonic idioms that we need to rediscover drive and passion in contemporary music.
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29/04/2026
This article is an English translation of the original Italian text by Gianfranco Marmoro, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.