There's a certain comfort in plunging toward dystopia when the soundtrack is signed Filmmaker. With "Sanguinary", Colombian producer Faunes Efe returns to etch the sound of the present with the precision of a rusted scalpel, turning urban paranoia and digital decay into danceable matter. This is a record that doesn't accompany the end times: it documents them.
Over the years, Filmmaker has built a unique language, halfway between tribal imagery and the punk gesture of do it yourself. Every release of his is a lost cassette from a parallel universe, a corrupted memory pulsing with Ebm, industrial-techno and synth-punk. On this record, the formula reaches a perfect balance: the sound is darker, more visceral, but also more disciplined, as if the machine had finally found a heart.
"The Tormentor" sets the tone. It's an obsessive, tightly wound march, a sequence of cutting rhythms reminiscent of the pulse of an underground rave captured on magnetic tape. The beat pushes forward relentlessly, surrounded by abrasive synths, while in the background the corrosion of "Acid Pools" emerges, a track that turns the classic 303 into a spiritual weapon.
Compared to previous records, "Sanguinary" scales back the anti-melodic elements and pushes harder on the physicality of the sound. Faunes Efe has always claimed not to feel part of any scene, and that artistic solitude comes through in every detail: the productions are recorded live, often in a single take, with minimal instrumentation (Elektron, Syntakt, processed guitars). The result is a sound that's raw and unstable, but alive.
The tension running through the album is that of a silent rebellion. Filmmaker offers no way out, because he observes the collapse and turns it into rhythm. This is an album of blood and memory, an emotional archive of post-human civilization. From the lo-fi roughness of "Visceral" to the more controlled architectures of "Machinations", each release is a piece of a project that unites aesthetic anarchy with conceptual rigor. With "Sanguinary", the artist from Envigado finally seems to have found his definitive formula: an obsessive techno that seeks not pleasure, but blood.
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05/11/2025
This article is an English translation of the original Italian text by Ljós Berinn, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.