I walk among dark sounds, electronics and sonic margins as if they were ritual territories. I listen to the world in search of cracks, omens, intermittent signals, and I write as if performing a small act of magic: cutting and reassembling shadows, pulses and fractures. When I'm not decoding records, I'm blasting vinyl at indecent volumes, scribbling notes wherever I can and losing myself in obsessive conversations about frequencies, aesthetics and sonic memories. Every album is a talisman, every review a way of giving shape back to what vibrates beneath the surface.
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