Catapulted into a shapeshifting chaos of distortion, disturbed frequencies and metallic reverb, we immediately recognize the hand of the most uncompromising Kevin Drumm, though the drone backdrops unfurling behind the scenes tell us our man is seriously intent on contaminating his menacing past with the more evocative solutions of the "Imperial Distortion"/"Imperial Horizon" double act.
But it's a synthesis that, sadly, never gets past good intentions, because these scant thirty-seven minutes of music, built on the layering of multiple sound sources, fail to manifest a soul. So much so that, in the end, the harsh-noise-drone continuum slowly turns into one enormous yawn.
Filed under: still scraping the bottom of the barrel...
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10/11/2012
This article is an English translation of the original Italian text by Francesco Nunziata, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.
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