The cover collection “Hallelujah: The Songs of Leonard Cohen” out March 29

17-02-2019

Il 29 marzo l’etichetta Ace Records arricchisce la propria serie “Songwriters” con una compilation di brani scritti da Leonard Cohen – due dei quali non sono mai stati interpretati dall’autore stesso – e cantati da altri artisti.

“Hallelujah: The Songs of Leonard Cohen” comprende diciotto selezioni incise nell’arco di quarant’anni: si va da “Hey, That’s No Way to Say Goodbye” nella versione di Judy Collins del 1967 fino a “Famous Blue Raincoat” nella cover di Marissa Nadler datata 2007. Presenti anche la celebre rilettura di “Hallelujah” di Jeff Buckley dall’album “Grace“, “Bird on a Wire” nella versione che k.d. lang incise per “Hymns of the 49th Parallel” e “Avalanche” nella cover di Nick Cave and the Bad Seeds; non mancano all’appello neppure Marianne Faithfull, Rufus Wainwright (suo il rifacimento dal vivo di “Chelsea Hotel no. 2”), Joe Cocker, Nina Simone, Stina Nordenstam, Lee Hazlewood e Buffy Sainte-Marie.

Il libretto di ventiquattro pagine contiene una biografia di Leonard Cohen a cura di Ian Johnston e commenti track-by-track di Mick Patrick.

Hallelujah: The Songs of Leonard Cohen

Jeff Buckley – “Hallelujah”

k.d. lang – “Bird on a Wire”

Rufus Wainwright – “Chelsea Hotel No. 2”

Marianne Faithfull – “Tower Of Song”

Madeleine Peyroux – “Dance Me To The End Of Love”

Dion – “Sisters Of Mercy”

Judy Collins – “Hey, That’s No Way To Say Goodbye”

Barb Jungr – “Everybody Knows”

Ron Sexsmith – “Heart With No Companion”

Stina Nordenstam – “I Came So Far For Beauty”

Marissa Nadler – “Famous Blue Raincoat”

Tom Northcott – “True Love Leaves No Traces”

Nina Simone – “Suzanne”

Lee Hazlewood – “Come Spend The Morning”

David Blue – “Lover, Lover, Lover”

Buffy Sainte-Marie – “God Is Alive, Magic Is Afoot”

Joe Cocker – “First We Take Manhattan”

Nick Cave and the Bad Seeds – “Avalanche”.

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This article is an English translation of the original Italian text by Alessandro Liccardo, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.

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