The music of Perry Frank keeps evolving year after year, increasingly becoming a great melting pot of all the influences of contemporary ambient music. “Scenario” is a further step in this direction, with an ever more layered sound and a more elaborate approach to timbre. Here ambient music isn't just a backdrop to observe or listen to, it's also a declaration of an emotional state.
The point of convergence is clear: the distortions of Rafael Anton Irisarri (“Road To Nowhere”, “Eternal Twilight”), the evocative synths of Tim Hecker (“Back On My Mind”), the liquid drifts of Loscil (“Wait For Me”, “The End”). These slow, crepuscular sound masses ultimately tend to collapse into an emotional flow that becomes the melancholic soundtrack of an exhausted contemporary age.
The “road to nowhere” evoked by the opening track's title becomes a metaphor for a landscape we inhabit without ever truly being able to bring its contours into focus. The sonic mosaic at times winds itself into oppressive loops of Basinski-esque memory (“Devotion”), at other times lets Hecker-like synths of aching beauty emerge (“Back On My Mind”), capable of tearing through the drone atmospheres with sudden luminous openings.
But it's above all in the long “End” (nine minutes) that the album finds its center of gravity: a slow, sacral drift that promises no redemption. A perfect blend of Loscil, Hecker and Irisarri that draws on ambient-drone poetics to convey, with expressive urgency, an ending that isn't a new beginning — it's a true ending.
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03/03/2026
This article is an English translation of the original Italian text by Valerio D'Onofrio, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.