Debut album for Bologna's Newt., stuck in a time bubble branded with four numbers burned in: 1.9.9.1. It's an aesthetic that keeps winning converts, drawing in both the most hardline nostalgics and younger generations, who trace in those sounds - and above all in that way of playing - a spirit that too often feels lost. Yet for many musicians the urge to gather in a garage, or rent a rehearsal room and crank the amps all the way up, remains strong, screw the sales charts stuffed with trap and Auto-Tune. Newt. aren't newcomers: they come from other bands, Marnero, ED and Antares, and today they look back, but only to sketch out a hypothesis for an alternative present.
The quartet's reference points are glaringly obvious, and rather imposing too, starting with the grunge of Nirvana, Mudhoney and Tad, and the propulsive garage-psych of Motorpsycho. But Newt. bring plenty of their own to the table, crafting ten tracks with a life of their own. There's the electric fury of "Acetoned", the hard-psych of "Sleepwalk", the sheer effectiveness of "This Place", the stadium-sized chorus chased down on "Nobody", but also the melodic tension that surfaces within the coils of "Saturnine", where it's precisely when they slow down that they land a masterstroke.
To make it all feel even more "authentic", the album's mastering was entrusted to Jack Endino - yes, that Jack Endino, the man behind Reciprocal Studios, the recording studio where countless albums that came to symbolize the golden age of the Seattle Sound were born.
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23/03/2026
This article is an English translation of the original Italian text by Claudio Lancia, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.