Tasty: never was a word more fitting to describe in a few words the third collaboration between Maxwell Farrington (Dewaere) and Le Superhomard. "Window Tax" is a delicious dish, thanks to the ever-skilled arranging craft of Christophe Vaillant and the good old Mike Lindsay of Tunng, here in the role of co-producer, who has lately been dispensing good taste across many of his productions.
The ingredients are already familiar: a pinch of baroque-pop, a pop attitude in the vein of Neil Hannon, orchestral arrangements in the style of Burt Bacharach, a voice that recalls the Walker Brothers, echoes of Serge Gainsbourg and Lee Hazlewood, a cooking time of 44 minutes and 54 seconds, and it's ready to be served. Brussels sprouts ("Brussell Sprouts"), fish and chips ("Fish & Chips") and a cake to finish things off in style ("Cake"): a last-minute shop for the final ingredients ("Supermarket"), and for the Franco-Australian pairing it's once again time for refined delicacies.
Yes, I know, summer is around the corner and you don't want to pile on the pounds, but however delicious, the chamber-pop dishes of "Window Tax" are tasty without being saccharine ("Supermarket"), perfect to accompany a sip of liqueur ("Euphoria") or an evening with friends at a country house ("Good Company"). Maxwell Farrington and Le Superhomard's songs are simply meant to be savored and enjoyed with all the senses: swinging and groovy (the title track), sensual and playful ("Do Da Da Da"), rich with melodies that sound pleasantly familiar ("Lorene" plays almost like a cover of Patty Pravo's "La Bambola"), but never trivial or superfluous. If anything, this time around they're sharper and even more enticing.
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28/05/2026
This article is an English translation of the original Italian text by Gianfranco Marmoro, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.