After three albums in 2015, the Italian label Solitunes Records - specialized in strictly solo works - returns. Following the excellent work by Federico Marchesano – “The Inner Bass” – it's now the turn of Dario Bruna, a drummer, percussionist and composer who has been active since the 1980s in a variety of projects spanning prog-rock, new wave and jazz, right through to research music and sonic improvisation. In 2016 he takes on the arduous task of writing and recording a solo album, an experiment that on one hand conceals great risks, but on the other can also reveal great opportunities.
The twelve tracks on “Sunset” – all roughly three minutes long – form a series of sound sketches that are often quite different from one another, employing – alongside percussion – synth, piano and vocal overdubs. The diversity of the tracks makes “Sunset” decidedly varied, yet at the same time simple and immediately engaging.
There's nothing particularly innovative or over-complicated here; Bruna crafts a series of small collages ranging from the modern classical piano (with percussion) of “Rapido e scuro” to the rapid, minimalist repetitions of the excellent “Mosso e continuo”, which break off into an unexpected Eastern mood, to the 80s synth-pop-like rhythms of “Elegia”, right through to decidedly more electronic episodes such as “Mobile e immerso”.
But the moments where Bruna strikes a balance between the various elements (the album's influences and his own biography) are the best; this is achieved, for instance, in “Un poco cantabile”, which in its simplicity is a perfect and moving sound collage; but also in “Denso e epico”, which finds a well-calibrated junction between piano and percussion; or in “Ruvido”, with Eastern-sounding vocals and a bare-bones bass-and-drums rhythm, right up to “Palindromo”, which, as its title suggests, begins and ends with the sound of bells but contains an energetic, restless synth in between.
There's a certain duality running through the tracks – also present in most of the titles – which is the album's strongest asset; but this duality never feels fully spelled out, perhaps due to the brevity of the tracks, perhaps due to an uncertainty about the intended goal. “Sunset” could well be a first step toward a greater awareness on Bruna's part of his abilities as a solo musician (this being his first such experience), and a clearer sense of his real ambitions, which still seem somewhat undefined.
Add OndaRock to your favorite sources on Google Discover. Don't miss our reviews, milestones and latest news straight in your feed.
06/09/2016
This article is an English translation of the original Italian text by Valerio D'Onofrio, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.