Recorded in a single hour, during a hot afternoon in June
2005, “Sunbomber” is a kind of pocket primer on the art-rock experimentalism
of the New York band. Just under half an hour of music, built entirely around a
continuous, dynamic refraction of minimalist reiterations and sonic variants
that often rinse themselves in the sulphurous swamps of
electro-noise. Small, not particularly finished universes, yet
sketched with a firm touch and close attention to the smallest detail. That's why,
then, beyond the near-extemporaneous nature of the recordings, what
emerges is a formalism that betrays a well-considered overall vision and
structured.
Deep down, the same ambient matrix that pervades
the whole album reveals the band's clear intent to achieve an
effect of eerie lightness, at once hypnotic and faintly numbing. A
play of microscopic, electrostatic refractions among narcotized voices,
simulacra of melodies and cotton-candy space (“One More Try”). Electronic
modernariato that seeks the calm of a tormented sound, forced to
endure radioactive jolts (“Second Chances”) and to hysterically shed
processed emotions. On the fringes of this snapshot of a wounded New York, forced to
reckon with itself, slide Casio debris and liquid
digital fragrances. “Bridge Traffic” thus opens onto a dopey, self-indulgent chant.
Perhaps too much so. A primitivist, ramshackle form of
song, like a nonsense spreading like an oil slick. An alien little game,
like that of “Dawn Patrol”, with ever more menacing contours. Plastic
matter, this sound. Forced to endure us. Almost a secluded place where one can
project our consciousnesses, as if onto a screen.
It's the white and
the black of our sensations. And Excepter choose to work precisely on
this chiaroscuro dialectic. Voids and solids. Zones of shadow and sudden
wisps of light that blur and scatter, interpenetrate and
drift apart. Streams of consciousness of tortured synthetic musicality, of which
there remain small shards of melodicism for the slow-witted, pollutions like sonic
trinkets in videogame style. Solutions that represent a first analysis
of their research (as the long, "cumulative" agony of the title
track makes clear), certainly not a definitive statement, as some have claimed. In
any case, if the outlook remains wide open onto the future, for now
"Sunbomber" is essential listening for anyone wanting to stay
up to speed.
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19/12/2006
This article is an English translation of the original Italian text by Francesco Nunziata, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.