FABRIZIO DE ANDRÉ - In direzione ostinata e contraria

2005 (Ricordi/Sony)
songwriter

The death of Fabrizio De André, besides depriving us of one of the greatest Italian singer-songwriters of all time, left us at the mercy of an unstoppable wave of musical cannibalism, disguised under the reassuring banner of “homages”, “tributes” and “celebrations”. A horde of two-bit Italian musicians thus saw fit to overlay their own voices on the unmistakable one of the Genoese singer-songwriter, reinterpreting his classics with results that were at times horrifying. Nor did things fare much better on the anthology/reissue front, with a steady stream of slapdash compilations churned out to milk the myth for all it was worth. Not to mention the vapid TV retrospectives, Mollica-style…

A work like the one we're holding in our hands with such satisfaction is, first and foremost, a sigh of relief. A “finally!” shouted in the face of all those who, up to now, had tried every which way to muddy one of the cornerstones of Italian songwriting. Because the box set “In direzione ostinata e contraria” – starting with its title, a perfect distillation of De André's personality – represents, better than anything else, the legacy of a nearly forty-year career that took Italian song by the hand, freed it from the cloying sentimental veneer that had wrapped it up, and dragged it into the ravines of human desolation.

Anthologies, as everyone knows, are bound by commercial rules, which often result in questionable track selections, especially when Christmas shopping season is involved. In this case, though, one really does get the impression of being in the presence of the choicest cuts of the De André songbook. Across the three CDs, no fewer than 54 tracks are gathered, retracing Fabrizio's “bad road” from his beginnings all the way to the masterpieces of the '80s and '90s. From the folk ballads of his youth to the murder ballads of “Tutti morimmo a stento“, from the secular act of faith that is “La Buona Novella” (which De André himself considered his finest album) to the ruthless political and emotional (self-)analyses of albums like “Storia di un impiegato” and “Volume VIII” (the record marking his encounter with Francesco De Gregori), from the memories of his kidnapping on “L'Indiano” to the ahead-of-its-time world music of “Creuza de mä” and the mature yet still remarkably fresh songwriting of “Anime Salve”, his true epitaph, born of his partnership with fellow wandering Genoese soul Ivano Fossati.

Songs that have by now become part of the heritage not just of Italian music, but of Italian culture and society as a whole, joined here by others that are virtually unreleased, such as “Titti”, inspired by Jorge Amado's “Dona Flor”, “Una storia sbagliata”, dedicated to Pasolini, the moving version of “Geordie” sung with his daughter Luvi, and the previously unreleased live duet of “Cose che dimentico”, together with his son Cristiano.

Leading the entire operation is the loving hand of Dori Ghezzi, who personally selected and curated all the tracks, with supervision from Maestro Gian Piero Reverberi, who had already arranged six of Fabrizio's albums. The unusual choice to "de-master" the tracks also came from the Ligurian singer-songwriter's widow. Thanks to the meticulous work of Antonio Baglio, all the master tapes were recovered and the sound was adjusted with minimal intervention, using only the tools available in the year each track was originally released. In this way, all the layers of digital compression added by the various reissues of the songs were stripped away, restoring their original spirit, imperfections included. A further step "in a stubborn and contrary direction," but also a sincere testimony of love.

Rounding out the box set is a rich 52-page booklet with photos, lyrics, and a foreword by Aldo Grasso. If De André's lyrics were ever truly to enter school curricula - as has been floated for years - this booklet would be the ideal summary of them. The legacy of a non-conformist poet, who used the irreverent force of irony to expose the hypocrisy of the very bourgeoisie he belonged to. A desperate message of freedom and redemption against "the laws of the pack" and the arrogance of power.

"In direzione ostinata e contraria" is a work that, without exaggeration, could be called essential. For those who have loved De André, and for those who don't know him yet.

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30/04/2026

This article is an English translation of the original Italian text by Claudio Fabretti, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.

Read the original in Italian · About the English edition

Tracklist

  1. Disc 1
  2. 1. Amore che vieni amore che vai
  3. 2. La città vecchia
  4. 3. Via del Campo
  5. 4. Bocca di Rosa
  6. 5. La canzone di Marinella
  7. 6. Ballata dell´amore cieco o della vanità
  8. 7. Carlo Martello ritorna dalla battaglia di Poitiers
  9. 8. La guerra di Piero
  10. 9. La ballata dell´eroe
  11. 10. Il pescatore
  12. 11. Canzone dell´amore perduto
  13. 12. La ballata del Miché
  14. 13. Preghiera in gennaio
  15. 14. Valzer per un amore
  16. 15. Si chiamava Gesù
  17. 16. Maria's Dream
  18. 17. Ave Maria
  19. 18. Tito's Testament
  20. 19. Winter
  21. 20. Ring-a-Ring o' Roses
  22. 21. Third Intermezzo
  23. 22. Chorale (Legend of the Unhappy King)
  24. Disc 2
  25. 1. The Hill
  26. 2. A Judge
  27. 3. An Optician
  28. 4. Jones the Player
  29. 5. Introduction
  30. 6. Song of May
  31. 7. The Bomb-Thrower
  32. 8. They'll Come Asking You About Our Love
  33. 9. La cattiva strada
  34. 10. Giugno '73
  35. 11. Canzone per l'estate
  36. 12. Amico fragile
  37. 13. Andrea
  38. 14. Volta la carta
  39. 15. Titti
  40. 16. Una storia sbagliata
  41. 17. Geordie
  42. Disc 3
  43. 1. Fiume Sand Creek
  44. 2. Hotel Supramonte
  45. 3. Se ti tagliassero a pezzetti
  46. 4. Creuza de mä
  47. 5. Sidún
  48. 6. Â duménega
  49. 7. La domenica delle salme
  50. 8. A cimma
  51. 9. Don Raffaè
  52. 10. Khorakhané (A forza di essere vento)
  53. 11. Princesa
  54. 12. Ho visto Nina volare
  55. 13. Anime salve
  56. 14. Smisurata preghiera
  57. 15. Cose che dimentico (previously unreleased live version, sung with C. De André)

FABRIZIO DE ANDRÉ on the web

Fabrizio De André
IN-DEPTH

Fabrizio De André - "Anime salve", 30 years of De André's spiritual testament

On September 19, 1996, De André released "Anime salve", his last album, written and produced together with Ivano Fossati. Thirty years on, its message feels more alive, powerful and poignant than ever

Fabrizio De André
STARDUST

Fabrizio De André - The femicide that inspired De André's first hit

The brutal story that inspired Faber's first hit, later made famous by Mina's version too. Today, a plaque has been proposed in Milan to remember that victim

Fabrizio De André
STARDUST

Fabrizio De André - When De Gregori led De André onto the Cattiva strada

The story of a fertile, stormy encounter between two of the most important figures in Italian songwriting, with Dylan as the guiding star

Fabrizio De André
STARDUST

On the side of the natives - When De André advised Dylan not to sing in Genoa

The story of when Faber gave up appearing at an event with the bard of Duluth, in order to stand by his support for Native Americans

Fabrizio De André
STARDUST

The last concert - When Fabrizio De André attacked the mafias in Calabria and was misunderstood

The controversial episode that took place during what would remain the Genoese singer-songwriter's final concert

Fabrizio De André
IN-DEPTH

Of Crimes and Punishments according to Fabrizio De André - "I wouldn't know how to be in your shoes". Interview with Fabrizio Bartelloni

Among the many books devoted to Faber, one stands out for its fresh, original approach to examining the relationship between human beings and criminal justice in the Genoese artist's lyrics

Fabrizio De André
STARDUST

The verse under fire - When Fabrizio De André was censored in one of his classics – Comparing the two versions

Censorship spared not even one of the most refined pens in Italian song, forcing him to alter one of his classics, inspired by Saba

Fabrizio De André
STARDUST

The Kidnapping and the Album "L'indiano" - When Fabrizio De André Forgave His Captors, Calling Them "Sardinian Sioux"

The songwriter's reaction to his kidnapping in Sardinia, which took public opinion by surprise and was reflected in the songs of the album "L'indiano"

Fabrizio De André
STARDUST

Back in 1984 - When Fabrizio De André Refused to Go on Tour with Bob Dylan and Santana

The story behind one of the most sensational "no"s in Italian music

Fabrizio De André
IN-DEPTH

Crêuza de mä - Fabrizio De André

As part of his selection of his 200 all-time favorite albums, which he is publishing on his Facebook page, Carlo Massarini revisits Fabrizio De André's masterpiece