The wait is finally coming to an end, and ticket-buying fever is set to reach stratospheric levels once again. On Monday 14 September, at 5pm Italian time to be precise, Oasis will officially reveal all the dates, cities and ticket sale details for their hugely anticipated 2027 tour. A preview of this upcoming announcement came straight from the skies over Manchester, via an impressive drone display staged above the Etihad Stadium, home of Manchester City and a place close to the Gallagher brothers' hearts. Around 11pm, the night sky lit up to form the band's famous black-and-white logo along with the date 14/09/2026, dramatically confirming the rumours that had been circulating persistently for days.
According to reports gathered by the Manchester Evening News from music industry sources, digital box offices could open as early as the end of next week, with Saturday, September 19th pinpointed as the likely window for general sale. Such scheduling would cleverly avoid clashing with the start of ticket sales for Harry Styles's Rome shows, with him also set to play the Circo Massimo the following August, thereby averting the risk of crashing the major ticketing platforms. For Italy's community of fans, the challenge looks set to be a tough one, comparable to a genuine Hunger Games-style obstacle course. Reports from the tabloid Sun place the band's Rome date at the Stadio Olimpico on the nights of July 24th and 25th, 2027, with a combined capacity of around 120,000 spectators. The continental leg of the European itinerary will also include major cities such as Barcelona, Paris and Amsterdam, set to draw fans from every corner of the globe.
Although the official price list for the 2027 tour has yet to be revealed, historical reference points from the 2025 tour saw so-called seated tickets ranging between 84 and 236 euros, standing/lawn spots priced between 155 and 173 euros, and VIP packages reaching as high as 582 euros, with sharp spikes driven by extremely high market demand. Meanwhile, a lively controversy has already broken out across social media platforms, pitting die-hard early fans against more recent listeners: the former claim a kind of moral priority based on three decades of devotion and detailed knowledge of the discography, while the latter firmly defend their equal right to secure a spot at one of the biggest live events of the decade.
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This article is an English translation of the original Italian text by Mattia Fumarola, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.