Unipol Arena in Casalecchio di Reno (Bologna) is gearing up to welcome Achille Lauro on March 20 and 29, two of the most anticipated dates of Palazzetti Live 2026, the tour currently making its way through Italy's major indoor arenas.
After a double sold-out run at Circo Massimo in the summer of 2025, Lauro has moved his show indoors, kicking off the tour on March 4 in Eboli. Strong advance ticket sales have led to the addition of new dates in several cities, including Bari, Florence, Turin and Bologna, plus a third date in Milan.
The show is built as a narrative journey exploring the relationship between public identity and personal dimension, moving through the various phases of his discography: from the more recent tracks off "Comuni Mortali" to the songs that marked his rise. The production relies on an elaborate visual setup, with stage design and lighting effects crafted to amplify the impact of the songs.
Fresh off his stint as co-host at the Sanremo Festival, Lauro brought "Reckless Youth" back to the Ariston stage — a track inspired by an incident that took place around Rome's Grande Raccordo Anulare, dedicated on this occasion to the victims of Crans Montana.
The Bologna concert setlist
The official setlist for the Casalecchio di Reno (Bologna) dates has not been announced, but it will likely follow the one performed on 16 March at the Forum in Assago:
Upcoming arena dates
After Bologna, the tour continues in other Italian cities:
The 2026 stadium tour
Once the arena tour wraps up, Achille Lauro will take the show to stadiums in June:
Dates already announced for 2027
The calendar for next year has also already been outlined, entirely in stadiums:
Latest projects
In 2025 Lauro released "Mortal Commons," an album that topped the FIMI chart. Among the tracks featured is "Reckless Youth," performed at the Sanremo Festival. In February he also reinterpreted "March 16" together with Laura Pausini, included on the singer's new record.
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This article is an English translation of the original Italian text by OndaRock Staff, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.