Take a look at BOtanique's lineup and you'll be stunned, because you can see everything with a pass costing just €10. That's right: at a time when charging the highest possible price seems to be all the rage, BOtanique pleasantly bucks the trend. BOtanique2026, in its new travelling format, presents a packed programme that will unfold - over the coming weeks - across different venues in the heart of Bologna. The festival will kick off at the Làbas Cultural Centre, then move to the DumBO Urban District, before heading to the Estragon Garden urban garden, and finally wrapping up its closing night in the atmospheric setting of the Rione San Nicolò.
Làbas will open its doors to the festival from 16 to 20 June, kicking off a week already full of the promise of magical nights and live music. From 23 to 27 June, BOtanique will move to the multifunctional urban district space of DumBO. The third week, from 30 June to 4 July, will instead take place at Estragon Garden, on via Stalingrado 83: the summery, laid-back side of Estragon Club will become a meeting place for concerts, conversation and evenings under the Bologna sky.
One of the festival's most beloved features remains unchanged - as mentioned - the accessible €10 pass, valid for all concerts at all venues, designed to keep live music open and shared.
Làbas Cultural Centre, 16 to 20 June
16 June – JUST MUSTARD
18 June – NOTHING
19 June – KATRHYN JOSEPH, LAURA AGNUSDEI
20 June – MOJA, JULIE’S HAIRCUT
Multifunctional urban district DumBO, from 23 to 27 June
23 June – MÙM
24 June – NEW YORK SKA JAZZ ENSEMBLE
26 June – GAZEBO PENGUINS, COMRAD, VEROGNA
27 June – PIERPAOLO CAPOVILLA E I CATTIVI MAESTRI
Estragon Garden, from 30 June to 4 July
30 June – AMISTAT
2 July – 1269 SKIANTOS
3 July – SAVANA FUNK
4 July – TOO MANY ZOOZ
10-euro passes
valid for concerts at all venues in the programme
available here:
https://bit.ly/BOtanique2026
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This article is an English translation of the original Italian text by Claudio Lancia, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.