DIIV - Nu-gaze addictions

interview by Francesco Franchini

DIIV are a band formed in 2011 in Brooklyn (USA). On the initiative of Zachary Cole Smith, who had already played in Beach Fossils and Soft Black, Andrew Bailey (guitar), Devin Ruben Perez (bass) and Colby Hewitt (drums) were recruited.

They chose the name in honor of the Nirvana track "Dive" (though slightly altered due to it sharing a name with another band) and, in 2012, released their debut album "Oshin", which combines a certain 70s psychedelia with darkwave and Seattle's 80s sound. A hallucinatory bombshell that critics hailed, allowing the band to tour and receive plenty of attention.

The follow-up, "Is The Is Are", presents some variation in sound, with almost noise and shoegaze elements, combined with fairly dark and introspective themes.

At this point Zachary's personal life takes a hit, due to his personal demons, and so the band is forced into a couple of years' hiatus to allow the singer to get back on his feet.

We then arrive at "Deceiver", the album of catharsis, of exorcising these dark monsters, with a very powerful sound and walls of guitars. "Frog In Boiling Water", the latest for now, rides the renewed interest in shoegaze and dream-pop, through 10 highly interesting tracks calibrated with genuinely top-tier songwriting.

DIIV will play on August 18th at Teatro Conchiglia in Sestri Levante. Here's the conversation I had with Zachary via Zoom. Thanks to Mojotic Festival and Aluha.

My first question is about your musical influences, from your early days in Beach Fossils and Soft Black to DIIV…

All these bands were part of the New York underground scene, there were so many artists doing this do it yourself thing, really easy to reproduce in a basement, really fast to write. I was also listening to a lot of minimal music, the early Cure albums, kraut-rock, those were the influences at the time. Beach Fossils were truly DIY!

With DIIV were you inspired by Sub Pop artists, underground bands like Vaselines?

Yes, definitely, they were really cool, that scene was cool. The late 80s, definitely a source of inspiration.

How would you describe the natural progression from your early work to your latest, "Frog"? I also noticed a different approach to the lyrics.

Yeah, on every record you're a different person, you grow, you listen to different music, you always have to try to stand out, figure out what you're doing, that's also a fun part of the process, bringing in different sounds. While making the second album, we were listening to a lot of really chaotic stuff, Royal Trux, later a lot of metal and drone too, and lately we've been trying to synthesize these influences, bringing in ambient and electronic music too, stuff like that.

What kind of electronic music are you referring to? The 90s?

See, we didn't actually grow up on electronic music, we were more of a rock band, but then we immersed ourselves in these artists, quite different from each other too, drum'n'bass, trip-hop…

Which writers do you like?

Each album has different literary sources, for instance the first one was very zen, I had read this book "The Enlightened Heart", an anthology of sacred poetry that I loved. Later I discovered modern authors, and for the latest album, non-fiction.

What's your take on AI?

I think it's an abomination! It's part of this whole process happening today, platforms, streaming, selling our data. AI to me is a really sinister thing, it's like a friendly face hiding an evil product, and the people behind it are pure evil.

Something I'm curious about: a while back I saw photos of Anthony Kiedis wearing your t-shirt, and at the concert Red Hot Chili Peppers played in Egypt he was wearing a DIIV long-sleeve and cap. Do you know each other?

I met Anthony a couple of times at a "recovery community", he likes our music, and through a mutual friend he got the t-shirts and then wore them. Really cool!

(August 17, 2025)

OndaRock Logo

Ride the wave of great music

Add OndaRock to your favorite sources on Google Discover. Don't miss our reviews, milestones and latest news straight in your feed.

This article is an English translation of the original Italian text by Francesco Franchini, published on OndaRock.it. It was translated with the help of artificial intelligence, under the editorial responsibility of OndaRock's editor-in-chief, Claudio Fabretti.

Read the original in Italian · About the English edition