The Bitchin Bajas project debuted in 2010 as a side project of Cooper Crain, guitarist of Cave.
Bitchin Bajas' earliest sounds drew on psychedelic and kraut-rock roots, in much the same way as Crain's main band, but with arrangements that were far less aggressive, opting instead for a more ethereal exploration of contemporary electronic concepts.
The project immediately proved highly prolific, starting with the full length "Tones / Zones" (2010) and followed by numerous singles, splits and EPs.
The official addition to the line up of Dan Quinlivan, formerly of Mahjongg, brought further synths and guitar textures to the web of spectral sounds forged by Crain. The lineup then solidified permanently as a trio with the arrival of Rob Frye, also formerly of Cave, a key figure whose contributions (flute, saxophone and guitar) further expanded the band's already varied catalogue.
After signing a record deal with Drag City, Bitchin Bajas released the album “Bitchitronics“ in 2013, followed two years later by “Transporteur“.
Following an illuminating tribute to the controversial figure of Sun Ra (“Switched On Ra”, 2021), the Chicago outfit arrive at their finest work to date.
With “Bajascillators” (2022), Bitchin Bajas expand the horizons of their vision of contemporary electronics, polishing their intricate textures with greater refinement and a clearer sense of logic.
After a record with Natural Information Society, the Chicago group returns with “Inland See” (2025). The album explores the band's darker side: the compositions are looser, the arrangements less meticulous, evolving and expanding with an impressive naturalness, partly thanks to the decision not to add any elements in post-production to the studio recordings, and to leave room for small imperfections.
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