(This article’s English version was produced with AI-assisted translation)
Many artists use the side-project trick to draw a clear line between two styles: Avalon Emerson, however, moves in the opposite direction. The American producer has managed to create the right distance between her dancefloor-oriented productions and those with stronger pop shades without resorting to aliases or disguises. She has reserved the EP format for releases moving across countless tech-house subgenres; with the long-playing format, instead, she has offered a more narrative storytelling, closer to song structure. This distinction was already present in her 2023 debut album "& The Charm", whose strength lay in balancing DJ-style beat programming with indietronica melody.
With "Written Into Changes" that distinction pushes further, now untethered from the rigid dictates of four-on-the-floor and fully devoted to the luminous circuits of the alternative. These are clear, welcoming songs that already signal in their titles the intention to move away from something that, instinctively, points toward the baggy scene. The result is a set of catchy tracks that alternate bright melodies with darker lyrics, as in "Happy Birthday" and the line “Too young to die / Too old to break through”.
The Berghain legacy can be felt above all in the refined synth work, which, having abandoned its past, does not seem to find a new home, mainly because of an overall arrangement that is too full to belong to indie territories, but too empty to be openly pop. A crossroads that in the first half of the album intrigues and produces several potential hits, but in the second half gives way to one filler after another. It is a period of change, as Emerson herself has stated.
13/04/2026